The Rossettis, or, Why Bad Art is Good, Actually
George Rowe
Tate Britain, Millbank
Sometimes, works can be interesting even if they lack traditionally defined value.
United Kingdom
Against The Odds But Not Naïve
Uriel Kerestey
Saatchi Gallery, Duke of York Square
As Maria Prymachenko’s celebrated paintings are finally shown in London, there is space to reflect on the trajectory of Ukraine’s art scene.
I'll be Auerbach
George Rowe
Hazlitt Holland-Hibbert, St James's
There is little joy to be found in Frank Auerbach's latest and perhaps last outing as he turns his attention inward.
Chris Zhongtian Yuan: Home is Where the Music Is
Uriel Kerestey
571 Oxford Road Gallery, Reading
A discussion of identity, resistance, and how the memories of a mysterious counterculture haunt the present.